5D Mark III - Here we go

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Sono in partenza per Roma per cui svegliataccia.
Eccovi il topic ufficiale per inserire ogni notizia che la riguarderà.

Se prevede tanta roba.





.. E il sito per lo streaming è andato giù: http://www.spreecast.com/events/5diii-watch-party

A presto per altri aggiornamenti .. :ciao:


PS-Siete pregati di evitare spam e messaggi inutili in questo topic, vedi stupide faccine di sbav e commenti idioti o nn inerenti al contesto.
Manteniamolo pulito, utile e SOLO ricco di informazioni.
L'idea è quella di avere un topic-informazione di soli interventi inerenti alle specifiche e alle primissime recensioni-news della macchina. Per tutto il resto esistono gli altri topic del forum.
 

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London, UK, 2nd March 2012 – Canon today announces the latest addition to its worldfamous EOS range with the launch of the new EOS 5D Mark III. The EOS 5D Mark IIIbuilds on the performance of the legendary EOS 5D Mark II, offering improved speed,greater resolution, enhanced processing power and extended creative options for bothstills and Full HD movies – providing unparalleled artistic freedom for the most demanding photographers.
Incorporating feedback from photographers worldwide, the EOS 5D Mark III offers improved performance in virtually every area. A new 22.3 Megapixel (MP) full-frame sensor offers the ideal balance of resolution for stills and HD movies and up to 6 frames per second (fps) shooting, whilst a 61-point AF system and 63-zone metering provide greater speed, flexibility and accuracy. Powered by the latest DIGIC 5+ processing technology, the EOS 5D Mark III also features enhanced video functions, offeringimproved image quality alongside greater audio control – redefining creative possibilities for photographers and amateur videographers alike. “The EOS 5D Mark III represents a big step forward for the EOS 5D series” said Kieran Magee, Marketing Director, Professional Imaging, Canon Europe. “The EOS 5D Mark II is an exceptional camera and we’ve listened carefully to feedback from its passionate community of users to improve performance in every area. This camera has been designed to meet virtually any creative challenge – it’s faster, more responsive and features the tools to adapt to everything from studio photography to creative videography, while producing results of the highest quality.”
Enhanced performanceWith its comprehensively upgraded specification, the EOS 5D Mark III is the ideal toolfor the growing number of photographers shooting both stills and movies. It incorporates a number of the features launched with Canon’s revolutionary EOS-1D X,providing vastly improved performance, flexibility, handling and durability. The camera’s newly-developed 22.3MP full-frame sensor provides increased resolution and finer detail, enabling the capture of a wide range of scenes, from sweeping landscapes to beautiful portraits. Higher speed continuous shooting also offers expanded creative possibilities. With an increased 8-channel read out, the camera comfortably handles a maximum full resolution speed of up to 6fps in bursts of 18 RAW images or over 16,000 JPEGs1, without the need for additional accessories. Additionally, the sensor’s advanced architecture offers a huge native ISO range of 100-25,600, expandable to 102,400, making it possible to capture clean, high quality pictures, even in extreme low-light conditions.
The EOS 5D Mark III utilises the same 61-point wide-area AF system as the flagship EOS-1D X, providing exceptional sensitivity, precision and speed. One of the most advanced AF systems currently available, it features an impressive 41 cross-type points and five dual cross-type points, providing unsurpassed accuracy across the frame. The customisable AF pre-sets introduced in the EOS-1D X are also available, helping the capture of traditionally challenging subjects, and providing additional reliability in ituations where subject movement can be unpredictable. Highly accurate exposures are provided by Canon’s acclaimed iFCL metering system, which incorporates a 63-zone Dual-Layer sensor linked to each point of the AF system. Focus information gathered from the AF system is analysed alongside colour and luminance signals measured by the metering sensor itself, enabling the EOS 5D Mark III to deliver consistently accurate skin tones and excellent results in a wide range of shooting situations.
Creative performance without compromiseThe EOS 5D Mark III features Canon’s latest DIGIC 5+ image processor, which powers a range of new functions without affecting the camera’s performance. 14-bit A/D conversion provides smoother tonal gradation and transitions between colours, while in-camera HDR shooting combines three different exposures and allows one of five preset tone maps to be applied, enabling photographers to capture all the detail in high contrast scenes. With in-camera RAW processing and editing capability, photographers also have the option to immediately begin post-processing their images while still on a shoot. The increased power of DIGIC 5+ also enables a range of tools which contribute to higher image quality. Lens peripheral illumination correction, Lens chromatic aberration correction (lateral and axial) and high ISO noise reduction are all performed in-camera without affecting performance, allowing photographers to continue shooting without any camera lag. Additionally, in-camera image rating via a dedicated button makes it easy for photographers to organise images ahead of post-production. The EOS 5D Mark III features a new Creative Photo button, which enables users to quickly select Picture Styles and capture multiple exposures, as well as offering direct access to the HDR shooting mode. In playback, pressing the Creative Photo button displays a new comparative playback function, displaying two images side-by-side to allow photographers to view, magnify and compare the quality of different exposures mid-shoot. For situations where photographers want to avoid being noticed, such as weddings, the EOS 5D Mark III also features a new silent shooting mode that dramatically reduces the sound of the shutter and mirror, ensuring they can work quietly in the background. A continuous silent mode is also available, enabling photographers to capture fastermoving subjects without attracting attention.
Next generation EOS MoviesThe EOS 5D Mark III builds on the reputation of the EOS 5D Mark II, with a range of new features introduced following feedback received from photographers to provide even better Full HD video performance. As well as offering the depth-of-field control loved by video professionals, the new full-frame sensor combines with the vast processing power of DIGIC 5+ to improve image quality by virtually eradicating the presence of moiré, false colour and other artefacts. The addition of a movie mode switch and a recording button also offers greater usability, enabling videographers to begin shooting immediately when movie mode is engaged. Additional movie functions include manual exposure control and an enhanced range of high bit-rate video compression options, with intraframe (ALL-I) and interframe (IPB) methods both supported. Variable frame rates range from 24fps to 60fps, and the addition of SMPTE timecode support provides greater editing flexibility and easier integration into multi-camera shoots. Users can also check and adjust audio during recording via the camera’s Quick Control screen and a headphone socket enables sound level monitoring both during and after shooting. Enhanced processing power provided by DIGIC 5+ also makes it possible to conveniently trim the length of recorded movies in-camera.
Professional build, easy operationThe EOS 5D Mark III has been built to offer photographers easy-handling and robust build quality. Its lightweight, high-grade magnesium body offers advanced weather proofing for protection against the elements, while the construction of the shutter has also been reinforced, with 150,000-cycle durability making it ideal for repeated, everyday use. An enhanced version of the Intelligent Viewfinder featured in the EOS 7D offers approximately 100% coverage, as well as an on-demand grid display via the builtin transparent LCD. The same reinforced 8.11cm (3.2″) Clear View II LCD screen as used by the EOS-1D X provides high quality framing and playback in all conditions. 1,040k-pixels provide the resolution to accurately check image sharpness and focus, while the gapless structure design introduced with the EOS-1D Mark IV prevents reflections and protects against dust or scratches. A headphone socket and locking mode dial have been included, while the inclusion of a UDMA 7-compatible CF card slot plus an SD card2 slot enables shooting to both cards simultaneously, auto switching when the one in use becomes full and the option to copy images from one card to the other in-camera.
Digital Lens Optimizer – new in Digital Photo Professional v3.11The EOS 5D Mark III comes complete with the most advanced version of Digital Photo Professional (DPP) yet – Canon’s free, in-box software enabling high-speed, high quality processing of RAW images. New in DPP v3.11 is Digital Lens Optimizer – a revolutionary new tool designed to drastically improve image resolution. Digital Lens Optimizer (DLO) precisely imitates lens performance, with a series of complex mathematical functions replicating each stage of the journey of light through the optical path. Using this information DLO can correct a range of typical optical aberrations and loss of resolution caused by a camera’s low pass filter, by applying an inverse function to each shot to take the image nearer to how the scene appears to the naked eye. This creates exceptionally detailed, high-quality images with highly manageable file sizes, providing photographers with maximum image quality and greater flexibility.
EOS System compatibilityAs part of the EOS System, the EOS 5D Mark III is immediately compatible with over 60 EF Lenses, including the EF 24-70mm f/2.8L II USM – the new, essential wide-angle zoom lens from Canon’s famous L-series. The camera is also compatible with a newlyannounced range of accessories designed to offer extended creativity, including the Speedlite 600EX-RT – a high performance TTL flash with wireless radio connectivity. Additionally, the new Battery Grip BG-E11 offers greater handling flexibility alongside the ability to double the camera’s battery life.
Canon EOS 5D Mark III – Key features:
  • 22.3 Megapixel full-frame sensor
  • 61-point autofocus
  • Up to 6fps continuous shooting
  • Native ISO 100-25,600 sensitivity
  • Full HD video with manual control
  • 14-bit DIGIC 5+ processor
  • Enhanced Weather sealing
  • 8.11cm (3.2-inch) 1,040,000-dot screen
  • HDR mode with presets
 

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The 5D2 will remain in the product line! The new Canon EOS 5D Mark III will be the third full frame sensor camera in the Canon line. The others are the 5D2 and the Canon EOS-1D X.
The price of the 5D3 will be $3499 for the body only and there will also continue to be a kit version with the 24-105 L IS (no change in lens) $4299.
Late March delivery!

2 stop improvement in noise reduction (don’t be confused, this isn’t ISO which also got a 2 stop improvement) over 5D2 – specifically better in jpeg and movies – RAW processing is different (still better but processed differently). The improvements are 2 parts – better sensitivity to get higher ISOs, and at each of these higher ISOs, there’s a 2 stop improvement in the noise (lower)
Video – improved moire, jello (rolling shutter), and reduced noise
8 channel readout off the sensor (5D2 was 4 channel) which supports the 6fps (ASK CHUCK ABOUT THIS IN MORE DETAIL)
The new sensor is completely re-designed with gapless microlenses – brings in more light as compared to previous sensors with gaps between the diodes. The new photo diode structure which provides better quantum efficiency. Plus there’s better on chip noise reduction. These 3 things mean there will be a cleaner signal coming off the sensor before it even goes to the processor.
Movie mode does not use the expanded ISO range, highest you can go is 25,600 in movie.
For auto ISO you have more control because you can limit the highest ISO and the lowest shutter speed.
The stills we were shown were significantly better than the 5D2 – the noise levels were reduced and at the higher ISOs the color was better. The Canon EOS-1D X is even better still. It has 1 stop better but the pixels are also a bit larger because the Canon EOS-1D X is only 18mp.
While Chuck was talking, I was holding the 5D3 and shooting (of course they didn’t let us put in our own card unfortunately because it was a pre-release model). There’s an entire post on my reactions.
The Digic 5+ processor – 17x faster processor than Digic IV – 30% faster than the Digic V processor in the powershots etc.
8 features were added purely because of capabilities of the new processor
6fps
Scene intelligent auto – much better than the old CA (on the mode dial)
HDR
Multiple exposures
Chromatic aberration correction
In camera RAW
2 forms of movie compression
Comparative playback function (not in Canon EOS-1D X)
UDMA 7 support – faster write speed and larger buffer

Many of the features of the Canon EOS 7D body have been moved to the 5D3.
The power switch is below the mode dial like the 7D.
The mode dial has a locking button
The multi-function button has been added by the shutter trigger
The live view switch is to the right of the viewfinder (thank goodness it isn’t on the mode dial!)
The Q button has been added to control the LCD screen.
Touch pad like the Canon EOS-1D X – touch the dial to change ISO, audio level, shutter speed, aperture etc. While recording video.
Creative photo button – centralizes creative menus for picture style, HDR, and multi-exposure mode.
The rating button – can rate images while reviewing and give 1-5 stars. Note the data flows thru to Adobe and Apple software (1 to 5 stars)

On the front, the DOF preview button moved to the left side (only change to the front other than the III)
Menu system is based on the Canon EOS-1D X improvements. Includes all the new ‘help’ (via the info button).
Custom controls – 10 buttons that are user programmable like was implemented on the 7D (but better).
1 touch image quality button – allows you to switch instantly from RAW to jpeg and you can cycle into RAW+jpeg if you’d like. This will be great for times where you want to have a jpeg instead of a RAW on a shot but don’t want to go thru the menus to switch things.
3 RAW modes – full (22.3), M-RAW and S-RAW – so you can have smaller RAW resolutions and file sizes if you still want to use your RAW processing but want smaller sizes (saves disk space but still gives you the full power of RAW).
Customizable file names! You can put change the first 4 characters from (IMG_) – helps when you’re using multiple cameras you can know which camera shot which file. Very helpful to teams and movie productions!
Comparative playback – you can compare 2 images and see histograms, check exposure, expression, and is only for stills (can’t compare 2 movies side by side).This feature is new and not on any other Canon model.
Intelligent viewfinder – on demand grid etc. Also you can see the spot metering circle. Plus, you set an alert display and it will show up in the viewfinder display.
Spot meter is 1.5% which is the tightest spot ever – used to be 3%
2 card slots – one CF and one SD – 3 recording modes, auto switch, record different file sizes on the 2 different cards, or you can even select 2 different kinds of RAW or 2 different sizes of jpg.
I asked why there were 2 different formats and there wasn’t an answer – the guess is that 2 CF slots would have made the body slightly larger.
When recording video tho, it won’t automatically switch to the second card, it will stop recording when the first card is full. When doing stills, it will auto switch to the second card.
The max video recording time is 29.59 minutes just like the Canon EOS-1D X.
The weather proofing is better than the 5D2 but not as good as the Canon EOS-1D X.
The metering and the autofocus system talk to each other (the meter is the same as the 7Dremember?) – benefitting the exposure meter to tweak the exposure based on the subject is being focussed and how far away it is etc. The color also improves the exposure of reds and greens.
Precise focus in various light sources – there are differences in flourescent (flickering light source) – the exposures can be off due to the light.
Auto-exposure bracketing – 3,5,7 – can also determine which direction the bracketing goes (not always just over and under evenly split) – first exposure is the one the camera thought would be right
Auto ISO – can do AE lock in manual mode – there’s also an AE lock hold function that lets you see the AE lock reading plus the live reading.
The autofocus is a huge improvement over the 5D2 – bringing in the same AF from the Canon EOS-1D X – there weren’t any cross points in the 5D2. Especially improves subjects that are moving.
Minimum light level ev-2 is the same as the Canon EOS-1D X.
The only thing that didn’t come down from the Canon EOS-1D X is the EOS intelligent tracking and recognition system because that uses the extra 100,000 pixel metering sensor that is only on the Canon EOS-1D X.
More options for selecting AF points (6 vs 2 in the 5D2) -
spot AF (like 7D & Canon EOS-1D X)
single point AF
single point + adjacent 4 points (good for moving subjects) (you tell the camera you think the subject is in the center point, but if it can’t focus there, you give the camera the freedom to pick one of the other 4),
single point + adjacent 8, zone (same as sp+8 but the camera decides which of the points it thinks is the subject – in sp+8 you told it which point).

You can program how you want the AF points you want displayed in the viewfinder.
Silent shooting mode (single and continuous) which is better for shooting in quiet environments – this is basically the same sound as when you are in live view on the 5D2 and press the shutter button to take a snap.
The shutter timing is almost identical to the 7D and very close to the Canon EOS-1D X – the release time lag is down from 75 ms to 59ms – much more responsive shutter.

There’s a totally new mirror mechanism to handle the 6fps
There are 5 settings for HDR – One under, one over, and proper exposure – plus you have the option to have all 3 images stored and you can post process as you want.
There are 5 composites they call: natural, standard, medium, bold, and emboss
The multi-exposure is just like the Canon EOS-1D X – 9 different exposures.
Comparative bright, comparative dark, additive, and continuous.

Scene intelligent auto (replaces CA on the 5D2 mode dial) – uses more information plus automatically sets picture style and does great job on sunsets and brightly colored objects.
Same picture styles as the 5D2 and others.
Can pre-set the LCD trim information for live view – square; 4×3, 16×9 (can mask off area or do show thru).
Dual axis electronic level like 7D
In camera RAW processing like 60D and Canon EOS-1D X
Video:
Exactly the same as the Canon EOS-1D X
All-I and IPB compression modes (5D2 was IPP compression).
All = 22mins on 16gb card
IPB = 63mins on 16gb card (compression is about 3x stronger)

The new Digic V does not do line skipping so we get reduced moire – but because it is not native 1920×1080 camera – there’s still a bit of processing which can cause moire. The sample they showed with a test image (circles not bricks)… and there was very significant reduction (but not elimination) of moire.
Chuck confirmed today that the resolution does not drop when you are connected to an external monitor and hit record. It does still have all of the overlays and the signal is not meant to be recorded.
Embedded time code just like the Canon EOS-1D X
Level control on screen – can control audio while recording!
There are the same silent controls for altering some video functions while recording as well (from Canon EOS-1D X)
Headphone jack
DPP Digital Photo Professional – new version of the software comes with the camera – includes HDR and multiple exposure processing.
This new feature called Digital Lens Optimizer – unique to this sofware (Adobe doesn’t have it, nor does Apple or DXo) – we have a database for 29 compatible lenses initially, including:
Spherical aberration
Astigmatism
Sagittal Halo
Curvature of field
Chromatic aberration (both kinds)
diffraction
Effects of a low pass filter on a CMOS sensor

And this will be available for all EOS RAW files for cameras released since 2006!
 

Tastino0

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Fearless

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Grazie per l'apertura del topic, hai fatto un lavoraccio, ora è tutto qui pronto per essere consultato. Ottimo lavoro! ;) E adesso vediamo un pò se questo passaggio s'ha da fare!

EDIT: X i mod, magari si può spostare in "corpi macchina"
 

Fearless

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Ma l'illuminatore AF dov'è?:libro:
Raggio ausiliario AF Emesso dal Flash Speedlite dedicato (opzionale)

Dal sito della canon dice che viene emesso dal flash esterno, potevano metterlo anche sulla reflex!
 
S

supermariano81

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bella è bella, una 1dx in piccolo in pratica.
costa troppo però :(
 

Petrella

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Quando si hanno notizie più precise sull'AF postatele please, voglio capire come funziona perché quello che più mi sta stretto è l'AF della 500D.

A un corpo pro devo passarci, sta solo a vedere quando e per quale.

Comunque bella macchina...
 

Artal

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ammazza, però 3500$ ? :eek:
Io vedo più che altro che potrebbe dare l'oppurtunità a molti di passare a full frame con la mark II...
 

Zoratan

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Spero che presto scenda il prezzo cosi ci farò un pensierino
 

Stefano_SX130IS

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un gioiellino..
 
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